
A garment fails a wash test defect criteria check when a fault appears after normal care, exceeds the published size tolerance, and is not explained by laundry conditions that sit outside the care label. In practice, a cracked print after the first home wash is a defect, while the same print fading after forty washes i
Printing & Production
34Heat press curing and conveyor curing both finish a printed transfer on a garment, but they control time and pressure in different ways. A heat press applies a set temperature and pressure to one garment at a time, which makes it precise and repeatable. A conveyor dryer moves garments through a heated tunnel on a belt,
Printing & Production
34Mockup color accuracy has a hard ceiling, and it comes from physics rather than from software. A mockup is light emitted from a screen, while a printed garment is light reflected off fabric, so the same file cannot read identically in both places. Screen brightness, white point and display gamut all sit on one side of
Printing & Production
45DTG vs DTF vs sublimation is not a ranking question, because the three methods answer the same brief in different ways: how to fix a design onto a garment so it stays there. They diverge on fibre tolerance, preparation steps, hand feel and the shape of their cost, and the right pick usually follows from the fabric a se
Printing & Production
46A white underbase is the layer of white ink a DTG printer lays down before the color pass, and on a dark garment it is what makes an opaque, readable print possible at all. Water-based DTG ink is translucent on its own, so without that base the artwork sinks into the fabric and reads as a dull tint of the shirt colour
Printing & Production
68An RGB color shift in print on demand is the gap between the color a design shows on a screen and the color the same file produces on a garment, and a handful of hues move far enough to change how the product reads to a buyer. The screen glows while the fabric reflects, and every print method reproduces its own range o
Printing & Production
44Large solid print limits show up long before a design reaches its final size. A wide block of flat color and a hairline outline fail for opposite reasons: the block exposes uneven ink lay, while the line disappears into the fabric texture. Both set a real ceiling on what a single file can carry, and that ceiling moves
Printing & Production
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